The Line Of Best Fit: Strummerville film review

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Excerpt:

“Given that it is a documentary about the innovative music charity set up by Clash frontman Joe Strummer’s friends in the aftermath of his untimely death in 2002, it’s hard to think of an individual more suited to the task of directing it than Don Letts. This pioneer of punk/reggae fusion was pivotal member of the punk community, a close associate of The Clash, and a member of Mick Jones’ post-Clash band Big Audio Dynamite. Letts went on to direct Westway to the World, the cornerstone film documentary on the subject of The Clash.

Whilst his pedigree is unquestionable and his ensuing direction of Strummerville cannot be faulted, this is neither a film about Strummer nor The Clash. Instead, it is the briskly but efficiently told story of Strummer’s namesake charity, which has grown quickly from its inception in 2003 to greatly increase its remit; beginning with a vague intention to carry on Strummer’s legacy and DIY ethic, the charity has stumbled into vital relationships with other organisations and into the provision of free support and near-free studio time to artists in desperate need of a step up. Avoiding the term “bands” is wise here as before long, Strummerville demonstrates the surprising breadth of musical styles it has supported in its short but productive existence so far.”

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